That honour is reserved for the clever modulation system, which recalls one of our favourite synths of recent years, FabFilter Twin. These include the chunky low-pass Daft (presumably a tribute to French filter-wranglers Daft Punk), Scream (an aggressive filter with a control for adjusting its distortion component), and a comb filter with feedback and damping controls.ĭespite being rather posh, neither the oscillators nor the filters represent Massive's most intriguing feature.
11 filter modes are available as well as the familiar two- and four-pole high- and low-pass filters, some more exotic ones can also be selected. The filter section is located to the right of the oscillators and can be set to function in serial or parallel modes or in a mixture of both (via a crossfader).
Each oscillator also features an Intensity control - akin to a low-pass filter - and a control for panning the output between Massive's two filters.
You can choose from 82 wavetable oscillator shapes, ranging from simple waves to more sophisticated vocal effects and metallic noises. Gradually rotate the knob to the right, however, and it turns into a sawtooth. The default wavetable oscillator shape is called Square-Saw I, so when the wavetable position knob is turned hard left, the oscillator emits a square wave.
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